Art
Art. I thought its
purpose is beauty, aesthetics. Not always, writes
Sam Kahn. Once upon a time, it served another purpose:
“The
presumption is that art must shock—that the violation of taboo is what gives
art its charge; and that, actually, shock and the overturning of societal norms
is art’s highest purpose.”
Art-as-subversion
later turned into art-as-a-call-to-arms:
“Somewhere
in the 19th century the notion develops that a work of art can be
most effective when it’s ugly,
when it deeply mirrors certain social realities and presents them in such a way
that the audience is spurred to immediate action.”
This became the
norm to such an extent that:
“Great
art was linked to revolutionary politics, or at least to a certain
revolutionary spirit, so that every significant work of art was assessed in
large part by its ‘influence,’ which really meant its ability to serve as a
wrecking ball to various social norms.”
So much so that:
“Works
of art are always hailed as ‘revolutionary,’ ‘shattering,’ ‘innovative,’
‘explosive,’ ‘incendiary,’ ‘provocative’.”
But when that
happens long enough, one eventually runs out of way to shock.
“(Artists) were finding that the culture had gotten way ahead of them. And at the same time—and this was really unnerving to a certain type of artist—the culture revealed itself to be shameless, tawdry, and grotesque in ways that were supposed to be reserved for the avant-garde.”
Inevitably:
“If everything is permitted, as Ivan
Karamazov puts it, then license loses its power, shock is unavailing, and
nothing is more charged than anything else.”
In a different
era, while watching the reigning deity of the day - the TV - Calvin told
Hobbes:
“Shock
and titillate me! I’ve got money!”
Today, we don’t even need to pay to experience those emotions. We watch our YouTube, TikTok and Instagram feeds for free…
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