Art

Art. I thought its purpose is beauty, aesthetics. Not always, writes Sam Kahn. Once upon a time, it served another purpose:

“The presumption is that art must shock—that the violation of taboo is what gives art its charge; and that, actually, shock and the overturning of societal norms is art’s highest purpose.”

 

Art-as-subversion later turned into art-as-a-call-to-arms:

“Somewhere in the 19th century the notion develops that a work of art can be most effective when it’s ugly, when it deeply mirrors certain social realities and presents them in such a way that the audience is spurred to immediate action.”

This became the norm to such an extent that:

“Great art was linked to revolutionary politics, or at least to a certain revolutionary spirit, so that every significant work of art was assessed in large part by its ‘influence,’ which really meant its ability to serve as a wrecking ball to various social norms.”

So much so that:

“Works of art are always hailed as ‘revolutionary,’ ‘shattering,’ ‘innovative,’ ‘explosive,’ ‘incendiary,’ ‘provocative’.”

 

But when that happens long enough, one eventually runs out of way to shock.

“(Artists) were finding that the culture had gotten way ahead of them. And at the same time—and this was really unnerving to a certain type of artist—the culture revealed itself to be shameless, tawdry, and grotesque in ways that were supposed to be reserved for the avant-garde.” 


Inevitably:

“If everything is permitted, as Ivan Karamazov puts it, then license loses its power, shock is unavailing, and nothing is more charged than anything else.”

 

In a different era, while watching the reigning deity of the day - the TV - Calvin told Hobbes:

“Shock and titillate me! I’ve got money!”

Today, we don’t even need to pay to experience those emotions. We watch our YouTube, TikTok and Instagram feeds for free…

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